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    Daniel Arsham: Hourglass
    Daniel Arsham (American, born 1980)
    Amethyst Sports Ball Cavern, 2016
    Amethyst crystal, quartz, and hydrostone
    Courtesy of Galerie Perrotin/photo by Guillaume Ziccarelli
    [Daniel Arsham standing at center]

    Daniel Arsham: Hourglass

    March 4–May 21, 2017

    This exhibition continues artist Daniel Arsham’s (American, born 1980) ongoing project Fictional Archaeologies, in which he creates replicas of everyday objects—such as basketballs and cameras—in precious and semi-precious stones. The objects become fossils, remnants of our present seen through the eyes of a future researcher.

    Hourglass comprises three related, site-specific installations, each infused with mythology and striking color. In one area, the artist will create a complete Japanese Zen garden with traditional pagoda, tatami mats, and raked sand, all rendered in bright blue. Arsham will transform a second gallery space into a purple amethyst cavern composed of sports equipment. The final installation consists of a set of large hourglasses filled with crushed blue crystals and sculptural casts. Performers will move through the gallery periodically, subtly altering different elements of the space.

    Arsham’s interdisciplinary practices range from painting and sculpture to set design. In 2004, he began producing scenography for ballets, symphony orchestras, operas, and music videos. He has worked with composers and choreographers including Merce Cunningham, Pharrell Williams, and Jonah Bokaer. Arsham founded the design and architectural firm Snarkitecture with Alex Mustonen in 2007 and the production company Film the Future in 2014 with Ben Louis Nicholas and Courtney Andrialis. His work has been presented at MoMA PS1, the MCA Academy in Miami, the Athens Biennale, the New Museum, the Contemporary Arts Center in Cincinnati, and other renowned institutions.

    Arsham lives in New York City. This exhibition parallels Arsham’s scenography for two of the Atlanta Symphony Orchestra’s spring shows: Christopher Theofanidis’s Creation/Creator and Christoph Willibald Gluck’s Orfeo.

    The Museum commissioned artist Lauri Stallings to create choreographies for two of the installations in Hourglass. Stallings’s movement systems will be performed by two glo Atlanta “people movers.” This collaboration is in conjunction with the premiere of Orfeo, for which Stallings is creating a series of tableaux vivants.

    Exhibition Organization and Support
    Daniel Arsham: Hourglass is co-organized by the Daniel Arsham Studio and the High Museum of Art, Atlanta, in collaboration with Galerie Perrotin, New York.

    This exhibition is made possible by

    Premier Exhibition Series Partner

    Exhibition Series Sponsor
    Delta Logo

    Premier Exhibition Series Supporters
    Sarah and Jim Kennedy
    Anne Cox Chambers Foundation
    The Antinori Foundation
    Jane and Hicks Lanier
    Louise Sams and Jerome Grilhot

    Contributing Exhibition Series Supporters
    Corporate Environments
    Peggy Foreman
    James F. Kelly Charitable Trust
    The Lubo Fund
    Margot and Danny McCaul
    Joyce and Henry Schwob

    Generous support is also provided by
    Anne Cox Chambers Exhibition Fund
    Alfred and Adele Davis Exhibition Endowment Fund
    Forward Arts Foundation Exhibition Endowment Fund
    John H. and Wilhelmina D. Harland Exhibition Endowment Fund
    Dorothy Smith Hopkins Exhibition Endowment Fund
    Howell Exhibition Fund
    Helen S. Lanier Endowment Fund
    Barbara Stewart Exhibition Fund
    Eleanor McDonald Storza Exhibition Endowment Fund

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