Returning from World War II with psychological trauma, Ferdinand Cooper retired to a tiny shack he built on the property where he was raised in Sanford, Florida. He covered his environment inside and out with charm-like objects and forms. The surface of this cabinet is an assemblage of wood and tin cutouts on which images of clocks, an eye, animals, crosses, a keyhole, letters, numbers, eyeglasses, and money are visible. The interior is filled, as if it were a medicine cabinet, with a carved shaving brush, toothbrushes, dentures—and a gun.