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    Artist Name:

    Unknown Photographer




    ca. 1855




    2 3/4 x 2 1/4 inches

    Credit Line:

    Purchase with funds from a friend of the Museum

    Accession Number:


    Currently Not on View
    The invention of the daguerreotype was first publicly announced at a meeting of the French Academy of Sciences in 1839. It quickly became popular and continued to be the favored photographic medium until the ambrotype—a faster and less expensive photographic process—was introduced in the mid-1850s. Daguerreotypes were designed for private consumption. Not only were they small, reflective, and delicate, they were unique objects, requiring the protection of a glass-cased, velvet-lined box. Many images like this one were produced in Paris—often in stereographic form, which heightened the illusion of three-dimensional space—where painters of nudes proliferated in the mid-nineteenth century. The realism of nude photography fueled Victorian debates about art and morality. Photography’s emerging role as an expressive medium was also being called into question. In 1859 French poet and art critic Charles Baudelaire famously offered a sharp condemnation of the use of photography within the arts, warning of its potential corruptive effects.

    Reproduction of digital images, including downloading, is governed by copyright laws and international conventions. Please contact the Images and Rights Coordinator for information concerning permissions or to request digital photography of works in the High's collection.

    Please Note: Not all permanent collection works are currently on view. Please contact the Museum concerning the on view status for a specific work if required.

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