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Future Exhibitions

Al Taylor, What Are You Looking At?

November 17, 2017–March 18, 2018

Pet Stain Removal Device by Al Taylor

Al Taylor (American, 1948–1999)
Pet Stain Removal Device, 1989
bamboo garden stakes, Plexiglas, paint, wire, and electrical tape.
The Estate of Al Taylor, Courtesy David Zwirner, New York/London.

On Becoming (A Happy Face)

Al Taylor (American, 1948–1999)
On Becoming (a Happy Face), 1992
pencil, gouache, ink, graphite, and correction fluid on paper.
Private collection.

The High Museum of Art is organizing the first museum survey in the United States to explore the career of American artist Al Taylor (1948–1999). With more than 150 sculptures, drawings, and prints drawn from several of the artist’s major series over nearly two decades, the exhibition will reveal the crisscrossing avenues of Taylor’s artistic inquiry and his innovative use of unexpected materials.

Although Taylor lived and worked for most of his life in New York City, he established his career in Europe with exhibitions in Austria, Denmark, Germany, and Switzerland. Taylor presented his work in solo gallery exhibitions in the United States during his lifetime; however, his first museum exhibitions in this country were held posthumously. 

This exhibition is the first to offer an in-depth look at the breadth of Taylor’s artistic production. It explores the diverse nature and humor of his visual language and the reciprocity in his practice among drawing, sculpture, and printmaking. Taylor drew no hierarchical distinctions among the different media he used. Rather, each facilitated a variety of ways to test his hypotheses about visual perception and to pose the fundamental question “What are you looking at?”

Like many artists of his generation, Taylor often used commonplace objects, such as broomsticks, coffee cans, and hula hoops, to construct his three-dimensional works. He delighted in the deadpan materiality that gave his works form, graphically reproducing such ordinary subjects as kinks of twisted wire or the optical effects of transparent plastic. His art transcends straightforward observation to reveal the world in entirely new ways.

Spanning all three levels of the High’s Renzo Piano–designed Anne Cox Chambers Wing, the exhibition will feature works from Taylor’s series Wheel Studies (1981–1985), Latin Studies (1984–1985), Pet Stains and Puddles (1989–1992), Pass the Peas (1991), X-Ray Tube (1995), Full Gospel Neckless (1997), and Bondage Duck (1998–99), among others.

Organization and Support

Al Taylor, What Are You Looking At? is organized by the High Museum of Art, Atlanta. Support for this exhibition is provided by

Logo for the Robert Rauschenberg Foundation

This project is supported in part by an award from the National Endowment for the Arts
Logo for the NEA
Generous support also provided by Sarah Eby-Ebersole and W. Daniel Ebersole.

This exhibition is made possible by

Premier Exhibition Series Partner

Exhibition Series Sponsors

Premier Exhibition Series Supporters
Anne Cox Chambers Foundation, The Antinori Foundation, Ann and Tom Cousins, Sarah and Jim Kennedy, Jane and Hicks Lanier, Louise Sams and Jerome Grilhot

Contributing Exhibition Series Supporters
Barbara and Ron Balser, Corporate Environments, Peggy Foreman, James F. Kelly Charitable Trust, Jane Smith Turner Foundation, The Lubo Fund, Margot and Danny McCaul, Joyce and Henry Schwob

Generous support is also provided by
Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, Howell Exhibition Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund